Pubblicazioni

2025

Bandi, F., and R. P. Malaspina, eds. 2025. Real Space–Virtual Space: Aesthetics, Architecture, and Immersive Environments. Milano University Press.

Bandi, F. 2025. “From Cyber to Virtual Space: Media-phenomenological Aspects on Digital Immersive Environments.” In Images, Reality, and Digital Culture: Towards a Post-pictorial Condition, edited by K. Purgar, 149–62. Routledge.

Bandi, F. 2025. “Virtual Dwelling: Immersiveness, Atmosphere and Spatial Presence.” In Real Space–Virtual Space: Aesthetics, Architecture and Immersive Environments, edited by F. Bandi and R. P. Malaspina, 61–73. MUP.

Bandi, F. 2025. “Virtual Landscape? From Panorama to Immersive Digital Space.” Comunicazioni Sociali: Journal of Media, Performing Arts and Cultural Studies 1: 22–35.

Cavaletti, F. 2025. “Becoming Pixels. Shame, Body Perception, and Avatars from Real to Virtual Worlds.” Reti, saperi, linguaggi 12 (1): 115–35. https://doi.org/10.12832/117340.

Cavaletti, F. 2025. “To Tell or Not to Tell: Instagram Narrations, Lived Time, and the Construction of the ‘Adventurous’ Self.” Comunicazioni Sociali: Journal of Media, Performing Arts and Cultural Studies 2: 210–19. https://doi.org/10.26350/001200_000242.

Cinelli, R. 2025. “Fuori taglio. Strategie di scorniciamento della fotografia nei media di realtà estesa.” In Blink postfotografico. Teorie, pratiche e derive delle immagini ibride, edited by M. Zanchi and S. Benaglia. Postmedia Books.

Conte, P. 2025. “Experiencing the Sublime in Immersive (Virtual) Environments.” Mythos: Journal für Ästhetik (September 2025): 1–11. https://mythos-magazin.de/kunsttheorie/conte_experiencing-the-sublime.pdf.

Conte, P. 2025. “Una serie di serie. Estetica della serialità tra riproduzione e variazione.” In Serialità: Repliche e varianti dal mondo antico al contemporaneo, edited by N. Mocchi, 183–96. Mimesis.

Conte, P., and M. Serafini. 2025. “Posthumous AI: The Afterlife of Data.” In AlgoMedia: The Image at the Time of Artificial Intelligence, edited by P. Conte, A. C. Dalmasso, M. G. Dondero, and A. Pinotti. Springer. Forthcoming.

Gallico, V., G. Ravesi, and M. T. Soldani, eds. 2025. “Visioni sonore. Forme musicali e pratiche audiovisive dall’intertestualità alla transmedialità,” special issue of IMAGO. Studi di cinema e media 30. ISSN 2038-5536.

Grespi, B., and M. T. Soldani, eds. 2025. “Wearable. I media da indossare,” special issue of VCS – Visual Culture Studies 8. ISSN 2724-2307.

Pirandello, S. 2025. Emersioni: Realtà aumentata e poteri dell’immaginazione. Meltemi.

Pirandello, S. 2025. “Ghost in the Machine: Daily Interaction with Ephemeral Computing.” Cinergie – Il Cinema e le altre Arti 14 (27): 37–46. https://doi.org/10.60923/issn.2280-9481/21429.

Pirandello, S. 2025. “Spellbound by Technology: Augmented Reality, Artificial Intelligence, and Automagic.” In AlgoMedia: The Image at the Time of Artificial Intelligence, edited by P. Conte, A. C. Dalmasso, M. G. Dondero, and A. Pinotti. Springer.

Sartori, S. 2025. “Exteriorisation.” In International Lexicon of Aesthetics. Mimesis. https://lexicon.mimesisjournals.com/international_lexicon_of_aesthetics_item_detail.php?item_id=169.

Sartori, S., and G. Galimberti. 2025. “Personal Identity and Transparent Media: Education, Hackers and Artistic Detournements.” ArtNodes 35.

Soldani, M. T. 2025. “Notes for a History of Female Forms in the Electronic Arts.” IMAGO. Studi di cinema e media 30. ISSN 2038-5536. https://romatrepress.uniroma3.it/libro/imago-studi-di-cinema-e-media-nuova-serie-vol-30/.

2024

Calbi, M., and C. Cappelletto. 2024. “How Face Mask Wearing Affects the Sense of Self: Breathing as a Case of Disrupted Bodily Self-Consciousness.” Philosophical Psychology (2024): 1–25. https://doi.org/10.1080/09515089.2024.2341791.

Campo, E., and Y. Citton. 2024. “Introduction. Attention, Distraction, and Curiosity: Remantling Our Mental Infrastructures.” In The Politics of Curiosity: Alternatives to the Attention Economy, edited by E. Campo and Y. Citton, 1–31. London: Routledge. https://doi.org/10.4324/9781003401575-1.

Campo, E., and Y. Citton, eds. 2024. The Politics of Curiosity: Alternatives to the Attention Economy. London: Routledge. ISBN 978-1-032-51298-3. https://doi.org/10.4324/9781003401575.

Cavaletti, F. 2024. “Towards an Experience-Based Aesthetics of Virtual Reality: A Case Study on Fear.” Itinera: Rivista di filosofia e teoria delle arti 28: 84–103. https://doi.org/10.54103/2039-9251/27836.

Cavaletti, F., and K. Heimann, eds. 2024. Transformational Experiences: The Role of Immersive Arts and Media in Individual and Societal Change. AN-ICON: Studies in Environmental Images 3 (1). ISSN 2785-7433.

Cavaletti, F., and E. Terrone. 2024. “Immagini in serie e fuori serie.” In Teoria e storia della narrazione seriale in Occidente, vol. 3, Miti d’oggi e serialità, edited by G. Boccia Artieri and G. Fiorentino, 235–57. Milano: Meltemi. ISBN 9791256150267.

Conte, P. 2024. “Da parergon a ergon.” In Viaggio in una stanza. Una collezione d’arte moderna incorniciata all’antica: le opere dello Studiolo Rivi, edited by A. Bigi Iotti, 35–38. Reggio Emilia: Corsiero.

Conte, P. 2024. “Rape or ‘Rape’? Questioning the Boundaries Between the Physical and the Virtual.” Studi di estetica 52 (3): 231–47. https://doi.org/10.7413/1825864694.

Conte, P., and A. Pinotti. 2024. “Sentire animale? Trans-specismo e antropocentrismo fra cinema e tecnologie immersive.” Scenari 21: 45–67. https://mimesisjournals.com/ojs/index.php/scenari/article/view/4823. https://doi.org/10.7413/24208914180.

Dalmasso, A. C., and S. Pirandello. 2024. “Augmented Imagination: Thinking Technology Beyond Extension.” Castelli di Yale: Annali di Filosofia 12 (2): 29–42.

Galimi, R., and B. Grespi. 2024. “Domestic Closed Circuits (of Violence).” European Journal of Women’s Studies 31 (3): 297–312. https://doi.org/10.1177/13505068241262774.

Guzzardi, L. 2024. “Imaging a Black Hole Shadow through the Event Horizon Telescope: A Study in Scientific Collaboration and Its Epistemic Constraints.” Science in Context 37 (2), forthcoming.

Malaspina, R. P. 2024. “The Head-Set as a Lover: Pornography and the Eroticism of Immersive Devices.” New Techno Humanities 4 (1): 5–13. https://doi.org/10.1016/j.techum.2024.09.001.

Malaspina, R. P. 2024. “Metaphors of Immersion: Stereoscopes, 3D Vision and Photography in O. W. Holmes’ Writings and Inventions.” AN-ICON: Studies in Environmental Images 3 (2): 151–76. https://doi.org/10.54103/ai/26638.

Pinotti, A. 2024. “Cyber-Theo: Reflections on the Theological Roots of Contemporary Digital Technologies.” Proceedings of the Paris Institute for Advanced Study 21.

Pirandello, S. 2024. “Images Like Me: Material Engagement, Operative Images, Imagin-actions.” AN-ICON: Studies in Environmental Images 3 (2): 36–55.

Pirandello, S. 2024. “La storia come ricompensa. Percorsi narrativi in realtà virtuale e realtà aumentata.” In Digital Storytelling e racconto non lineare, spazializzazione e fine del dramma, edited by M. De Feo. Milano: Meltemi.

Pirandello, S. 2024. “Portrait of a Girly Girl: When Recording a Video Selfie Is a Feminist Practice.” Cinéma & Cie: Film and Media Studies Journal 24 (42): 101–16.

Sartori, S. 2024. Archeologia del cyborg: Storia materiale e incorporazione dei dispositivi protesici. Milano: Meltemi.

Terrenghi, I., and F. Cavaletti. 2024. “Learning in Immersive Environments: Results of Mixed-Method Research in University Art Laboratories.” Q-Times Webmagazine 16 (3): 882–95.

2023

Ampollini, I., F. Bandi, F. Cavaletti, P. Conte, M. Fontana, G. Grossi, A. Pinotti, S. Pirandello, and I. Terrenghi. 2023. “Exploring AN-ICONS, between Media Archaeology, Cultural History, Memory Studies and Contemporary Applications.” img journal 4 (9): 40–73. https://doi.org/10.6092/issn.2724-2463/20030.

Baldacci, C., P. Conte, and S. Franco, eds. 2023. Unframing/Reframing in the Contemporary Visual, Performing, and Media Arts. JoLMA: The Journal for the Philosophy of Language, Mind and the Arts 4 (1). https://doi.org/10.30687/Jolma/2723-9640/2023/01.

Campo, E. 2023. “Exploring the Alternatives to the Attention Economy.” Contemporary Sociology 52: 404–9. https://doi.org/10.1177/00943061231191420c.

Cavaletti, F. 2023. Sguardi che bruciano: Un’estetica della vergogna nell’epoca del virtuale. Milano: Meltemi. ISBN 9788855199049.

Cavaletti, F. 2023. “Oltre la vergogna: Lo sguardo sul corpo tra dispositivi indossabili e realtà virtuale.” In Immersioni quotidiane: Vita ordinaria, cultura visuale e nuovi media, edited by F. Cavaletti, F. Fimiani, B. Grespi, and A. C. Sabatino, 195–205. Milano: Meltemi. ISBN 9788855198448.

Cavaletti, F., F. Fimiani, B. Grespi, and A. C. Sabatino, eds. 2023. Immersioni quotidiane: Vita ordinaria, cultura visuale e nuovi media. Milano: Meltemi. ISBN 9788855198448.

Cavaletti, F., F. Fimiani, and A. Pinotti, eds. 2023. “Going Virtual – But How? Mapping Virtualities in Contemporary Technoculture,” special issue of Aisthesis: Pratiche, linguaggi e saperi dell’estetico 16 (1).

Cavaletti, F., and I. Terrenghi. 2023. “Testing Innovative Preparation Tools for Immersive Virtual Environments: A Case Study in the Didactics of Art.” IUL Research 4 (7): 88–107. https://doi.org/10.57568/iulresearch.v4i7.422.

Conte, P. 2023. “Bildzauber: Il mito dell’impronta dai boti ai Generative Adversarial Networks.” In Lessico Warburghiano: I prestiti delle scienze negli scritti d’arte di Aby Warburg, edited by K. Mazzucco and B. Paolozzi Strozzi, 151–62. I Quaderni della Colombaria 9. Firenze: Polistampa.

Conte, P., M. Bal, C. Baldacci, and S. Franco. 2023. “Bridging the Gap between Theory and Practice: A Conversation with Mieke Bal on Framing and Reframing.” JoLMA: The Journal for the Philosophy of Language, Mind and the Arts 4 (1): 13–28. https://doi.org/10.30687/Jolma/2723-9640/2023/01/000.

Conte, P. 2023. “Dalla differenza alla indifferenza iconica: Metafora e contrasto nel sistema del visibile.” In Studiare le immagini: Teorie, concetti, metodi, edited by K. Purgar and L. Vargiu, 325–43. Roma: Carocci.

Conte, P. 2023. “Revenants: On the Animation of Dead People’s Portraits in Contemporary Technoculture.” In Reconfiguring the Portrait, edited by A. Geil and T. Jirsa, 272–86. Edinburgh: Edinburgh University Press. https://doi.org/10.1515/9781399525091-019.

Conte, P. 2023. “The Fleshiness of Wax.” In The Matter of Mimesis: Studies of Mimesis and Materials in Nature, Art and Science, edited by M. Bol and E. C. Spary, 270–89. Leiden–Boston: Brill. https://doi.org/10.1163/9789004515413_015.

Fontana, M. 2023. “A Proposal for a Bunker Aesthetics from Paul Virilio’s Archaeology to Virtual Architecture.” In IMG23: IV Convegno Internazionale e Interdisciplinare su Immagini e Immaginazione, Università degli Studi dell’Aquila, 162–69. Alghero: Publica Press.

Fontana, M. 2023. “Digital Heterotopias in the Metaverse: The (g)Ender Gallery by Cat Haines.” AN-ICON: Studies in Environmental Images 2 (2). https://doi.org/10.54103/ai/19764.

Fontana, M. 2023. “Metaphorical Metaverses: The Case of Bunker Architecture.” img journal 4 (9): 194–215. https://doi.org/10.6092/issn.2724-2463/18256.

Fontana, M. 2023. “Reframing Second-Wave Feminism through the Fashion Industry and Augmented Reality: Recent Trends in Judy Chicago’s Work.” JoLMA: The Journal for the Philosophy of Language, Mind and the Arts 4 (1): 29–43. https://doi.org/10.30687/Jolma/2723-9640/2023/01/002.

Fontana, M. 2023. “Una questione di pulizia: Il lavoro di riproduzione sociale tra arte contemporanea e nuovi media.” In Immersioni quotidiane: Vita ordinaria, cultura visuale e nuovi media, edited by F. Cavaletti, F. Fimiani, B. Grespi, and A. C. Sabatino, 37–45. Milano: Meltemi.

Fontana, M. 2023. “Virtual Domes: Utopian Architecture at the Dawn of Virtual Reality.” Aisthesis: Pratiche, linguaggi e saperi dell’estetico 16 (1): 95–103. https://doi.org/10.36253/Aisthesis-14374.

Guzzardi, L. 2023. “Epistemology in Practice: Ernst Mach’s Experiments on Shock Waves and Their Philosophical Consequences.” Journal for the General Philosophy of Science 54: 79–98. https://doi.org/10.1007/s10838-022-09602-9.

Malaspina, R. P. 2023. “Ph.D. Thesis Project – The Obscene Device: Pornographies between Cinema, Art, and Virtual Reality.” Cinema & Cie 23 (40): 183–85. https://doi.org/10.54103/2036-461X/20561.

Pirandello, S. 2023. Fantastiche presenze: Note su estetica, arte contemporanea e realtà aumentata. Milano: Johan & Levi.

Pirandello, S. 2023. “Una storia privata: La documentazione e l’archiviazione fotografica come pratica femminile.” In Immersioni quotidiane: Vita ordinaria, cultura visuale e nuovi media, edited by F. Cavaletti, F. Fimiani, B. Grespi, and A. C. Sabatino, 21–36. Milano: Meltemi.

Sartori, S. 2023. “Embodying Architectures: Body Extensions and Forms in Hybrid Environments.” Itinera 25: 321–32.

2022

Cappelletto, C. 2022. “Brain Image Making and Cyborg Visuality.” Reti, saperi, linguaggi 1 (July 2022): 87–104. https://doi.org/10.12832/104542.

Cavaletti, F. 2022. “Making Interaction Accessible: Virtual and Augmented Reality for Eye Contact Training in Autism Spectrum Disorder.” Italian Journal of Special Education for Inclusion 10 (2): 221–28.

Grespi, B. 2022. “Passing Through: Gesture Interfaces in Virtual Reality.” Imago: Studi sul cinema e i media 23: 11–124.

Pinotti, A. 2022. “Staying Here, Being There: Bilocation, Empathy and Self-Empathy in Virtual Reality.” Bollettino Filosofico 37: 142–62.

Soldani, M. T. 2022. “[Post]Human Behaviour: Musiciste elettroniche tra tecnologie video, app, VR e AI.” In Robotmedium: Dispositivi, intelligenze, cinema, edited by L. Denicolai, 137–59. Milano: Meltemi.

2021

Modena, E., A. Pinotti, and S. Pirandello. 2021. “Virtual Reality and Augmented Reality: New Tools for Art and Politics.” Paradigmi: Rivista di critica filosofica 1: 87–106.