Pubblicazioni
2024
M. Calbi, C. Cappelletto, “How Face Mask Wearing Affects the Sense of Self: Breathing as a Case of Disrupted Bodily Self-Consciousness” , PHILOSOPHICAL PSYCHOLOGY. – ISSN 1465-394X. – (2024), pp. 1-25. [10.1080/09515089.2024.2341791]
E. Campo, Y. Citton, “Introduction. Attention, Distraction, and Curiosity: Remantling Our Mental Infrastructures”, in Politics of Curiosities. Alternatives to the Attention Economy, a cura di E. Campo, Y. Citton, London: Roultledge, 2024, pp.1-31. DOI: 10.4324/9781003401575-1
E. Campo, Y. Citton (a cura di), The Politics of Curiosity. Alternatives to the Attention Economy, Routledge, London, 2024, (ISBN: 978-1-032-51298-3; DOI: 10.4324/9781003401575).
F. Cavaletti (2024), “Towards an Experience-Based Aesthetics of Virtual Reality: A Case Study on Fear”, Itinera, Rivista di filosofia e teoria delle arti, 28, 84-103, ISSN: 2039-9251, https://doi.org/10.54103/2039-9251/27836
F. Cavaletti, K. Heimann [pari contributo] (a cura di) (2024), Transformational Experiences. The Role of Immersive Arts and Media in Individual and Societal Change, AN-ICON. Studies in Environmental Images, 3, 1, ISSN: 2785-7433
F. Cavaletti, E. Terrone [pari contributo] (2024), “Immagini in serie e fuori serie”, in G. Boccia Artieri, G. Fiorentino (eds.), Teoria e storia della narrazione seriale in Occidente, Vol. III. Miti d’oggi e serialità, pp. 235-257, Milano, Meltemi, ISBN: 9791256150267
P. Conte, “Rape or ‘Rape’? Questioning the Boundaries Between the Physical and the Virtual”, in Studi di estetica, vol. LII, n. 3, 2024, pp. 231-47.
DOI: 10.7413/1825864694
P. Conte, A. Pinotti, “Sentire animale? Trans-specismo e antropocentrismo fra cinema e tecnologie immersive”, in Scenari, vol. 21 (2024), pp. 45-67 https://mimesisjournals.com/ojs/index.php/scenari/article/view/4823 DOI: 10.7413/24208914180
P. Conte, Da parergon a ergon, in A. Bigi Iotti (a cura di), Viaggio in una stanza. Una collezione d’arte moderna incorniciata all’antica: le opere dello Studiolo Rivi, Corsiero, Reggio Emilia 2024, pp. 35-38
A.C. Dalmasso, S. Pirandello, “Augmented Imagination. Thinking Technology Beyond Extension”, Castelli di Yale. Annali di Filosofia, Vol. XII, n. 2, 2024 (ISSN: 2282-5460) pp. 29-42.
R. Galimi, B. Grespi, “Domestic closed circuits (of violence)”. European Journal of Women’s Studies 31, no. 3, 2024: 297–312. https://doi.org/10.1177/13505068241262774
L. Guzzardi, “Imaging a black hole shadow through the Event Horizon Telescope. A study in scientific collaboration and its epistemic constraints”. Science in Context, 37/2, 2024, forthcoming.
R.P. Malaspina, 2024. “The Head-Set as a Lover: Pornography and the Eroticism of Immersive Devices”, New Techno Humanities 4, no I: 5-13. https://doi.org/10.1016/j.techum.2024.09.001.
R.P. Malaspina. 2024. “Metaphors of Immersion. Stereoscopes, 3D Vision and Photography in O.W. Holmes’ Writings and Inventions”, AN-ICON. Studies in Environmental Images 3, no II: 151–176. https://doi.org/10.54103/ai/26638.
A. Pinotti, “Cyber-Theo: Reflections on the Theological Roots of Contemporary Digital Technologies”, in Proceedings of the Paris Institute for Advanced Study, 21, 2024.
S. Pirandello, “Images Like Me: Material Engagement, Operative Images, Imagin-actions”, AN-ICON. Studies in Environmental Images, 3(2), 36-55, 2024.
S. Pirandello, “Portrait of a Girly Girl: When Recording a Video Selfie is a Feminist Practice”, Cinéma & Cie. Film and Media Studies Journal, 24(42), 101-116, 2024.
S. Pirandello, “La storia come ricompensa. Percorsi narrativi in realtà virtuale e realtà aumentata”, in M. De Feo (a cura di), Digital Storytelling e racconto non lineare, spazializzazione e fine del dramma, Milano: Meltemi 2024.
S. Sartori, Archeologia del cyborg. Storia materiale e incorporazione dei dispositivi protesici, Milano: Meltemi, 2024.
I. Terrenghi, F. Cavaletti (2024), “Learning in Immersive Environments: Results of Mixed-method Research in University Art Laboratories”, Q-TIMES WEBMAGAZINE, 16(3), 882-895, ISSN: 038-3282.
2023
I. Ampollini, F. Bandi, F. Cavaletti, P. Conte, M. Fontana, G. Grossi, A. Pinotti, S. Pirandello, I. Terrenghi, Exploring AN-ICONS, between Media Archaeology, Cultural History, Memory Studies and Contemporary Applications, “img journal” 4(9), 2023, pp. 40–73. https://doi.org/10.6092/issn.2724-2463/20030.
C. Baldacci, P. Conte, S. Franco (eds.), Unframing/reframing in the contemporary visual, performing, and media arts, «JoLMA. The Journal for the Philosophy of Language, Mind and the Arts» 4, 1 (2023) [e-ISSN 2723-9640].
DOI: http://doi.org/10.30687/Jolma/2723-9640/2023/01
E. Campo, “Exploring the Alternatives to the Attention Economy”, in Contemporary Sociology, vol. 52, pp. 404-409, DOI: 10.1177/00943061231191420c
F. Cavaletti (2023), Sguardi che bruciano. Un’estetica della vergogna nell’epoca del virtuale, Meltemi, Milano, ISBN: 9788855199049
F. Cavaletti, “Oltre la vergogna. Lo sguardo sul corpo tra dispositivi indossabili e realtà virtuale” (2023), in F. Cavaletti, F. Fimiani, B. Grespi, A.C. Sabatino, (a cura di), Immersioni quotidiane. Vita ordinaria, cultura visuale e nuovi media, Meltemi, Milano 2023, pp. 195-205, ISBN: 9788855198448.
F. Cavaletti, F. Fimiani, B. Grespi, A.C. Sabatino [pari contributo] (a cura di), Immersioni quotidiane. Vita ordinaria, cultura visuale e nuovi media, Meltemi, Milano 2023, ISBN: 9788855198448.
F. Cavaletti, F. Fimiani, A. Pinotti (eds.) Going Virtual – But How? Mapping Virtualities in Contemporary Technoculture, special issue of Aisthesis. Pratiche, linguaggi e saperi dell’estetico, 16, 1, (2023), ISSN 2035-846.
F. Cavaletti, I. Terrenghi [pari contributo] (2023), “Testing Innovative Preparation Tools for Immersive Virtual Environments. A Case Study in the Didactics of Art”, IUL Research, 4(7), 88–107, ISSN 2724-3915, E-ISSN 2723-9586, https://doi.org/10.57568/iulresearch.v4i7.422
P. Conte, Revenants: On the animation of dead people’s portraits in contemporary technoculture, in A. Geil, T. Jirsa (eds.), Reconfiguring the portrait, Edinburgh University Press, Edinburgh 2023, pp. 272-286. DOI: https://doi.org/10.1515/9781399525091-019
P. Conte, M. Bal, C. Baldacci, S. Franco, Bridging the gap between theory and practice. A conversation with Mieke Bal on framing and reframing, «JoLMA. The Journal for the Philosophy of Language, Mind and the Arts» 4, 1 (2023), pp. 13-28. DOI: 10.30687/Jolma/2723-9640/2023/01/000
P. Conte, The fleshiness of wax, in M. Bol, E.C. Spary (eds.), The matter of mimesis. Studies of mimesis and materials in nature, art and science, Brill, Leiden-Boston 2023, pp. 270-289. DOI: https://doi.org/10.1163/9789004515413_015
P. Conte, Bildzauber: il mito dell’impronta dai boti ai Generative Adversarial Networks, in K. Mazzucco, B. Paolozzi Strozzi (a cura di), Lessico Warburghiano. I prestiti delle scienze negli scritti d’arte di Aby Warburg, I Quaderni della Colombaria 9, Polistampa, Firenze 2023, pp. 151-162.
P. Conte, Dalla differenza alla indifferenza iconica. Metafora e contrasto nel sistema del visibile, in K. Purgar, L. Vargiu (a cura di), Studiare le immagini. Teorie, concetti, metodi, Carocci, Roma 2023, pp. 325-343.
M. Fontana, Metaphorical Metaverses: The Case of Bunker Architecture, “img journal”, 4(9), 2023, pp. 194-215. https://doi.org/10.6092/issn.2724-2463/18256.
M. Fontana, A proposal for a bunker aesthetics from Paul Virilio’s archaeology to virtual architecture, atti del convegno “IMG23 IV Convegno Internazionale e Interdisciplinare su Immagini e Immaginazione”, Università degli Studi dell’Aquila, Publica Press, Alghero, 2023, pp. 162-169.
M. Fontana, Digital Heterotopias in the Metaverse: The (g)Ender Gallery by Cat Haines, “AN-ICON. Studies in Environmental Images”, 2(2), 2023, https://doi.org/10.54103/ai/19764.
M. Fontana, Reframing second-wave feminism through the fashion industry and augmented reality: Recent trends in Judy Chicago’s work, “JOLMA”, 4(1), 2023, pp. 29-43, http://doi.org/10.30687/Jolma/2723-9640/2023/01/002.
M. Fontana, “Una questione di pulizia. Il lavoro di riproduzione sociale tra arte contemporanea e nuovi media”, in Immersioni quotidiane. Vita ordinaria, cultura visuale e nuovi media, a cura di F. Cavaletti, F. Fimiani, B. Grespi, A.C. Sabatino, Meltemi, Milano 2023, pp. 37-45.
M. Fontana, Virtual Domes: Utopian architecture at the dawn of Virtual Reality, “Aisthesis. Pratiche, Linguaggi E Saperi dell’estetico”, 16(1), 2023, pp. 95-103, https://doi.org/10.36253/Aisthesis-14374.
L. Guzzardi, “Epistemology in practice. Ernst Mach’s experiments on shock waves and their philosophical consequences”. Journal for the General Philosophy of Science, 54, 2023: 79-98. https://doi.org/10.1007/s10838-022-09602-9.
R. P. Malaspina. 2023. “Ph.D. Thesis Project – the Obscene Device: Pornographies between Cinema, Art, and Virtual Reality”. Cinema & Cie 23, no. 40: 183-85. https://doi.org/10.54103/2036-461x/20561.
S. Pirandello, “Una storia privata: La documentazione e l’archiviazione fotografica come pratica femminile”, in Immersioni quotidiane. Vita ordinaria, cultura visuale e nuovi media, a cura di F. Cavaletti, F. Fimiani, B. Grespi, A.C. Sabatino, Meltemi, Milano 2023, pp. 21-36.
S. Pirandello, Fantastiche presenze. Note su estetica, arte contemporanea e realtà aumentata, Johan & Levi, Milano, 2023.
S. Sartori, “Embodying architectures: Body extensions and forms in hybrid environments”, in Itinera, n. 25, 2023, pp. 321-332.
2022
C. Cappelletto, “Brain Image Making and Cyborg Visuality”, RETI SAPERI LINGUAGGI. – ISSN 2279-7777. – 1:(2022 Jul), pp. 87-104. [10.12832/104542]
A. Pinotti, “Staying here, being there. Bilocation, empathy and self-empathy in virtual reality”, Bollettino Filosofico, no. 37 (2022), pp. 142-162.
B. Grespi, “Passing through. Gesture interfaces in virtual reality” in Imago. Studi sul cinema e i media 23, (2022), pp. 11-124.
F. Cavaletti, “Making Interaction Accessible: Virtual and Augmented Reality for Eye Contact Training in Autism Spectrum Disorder,” Italian Journal of Special Education for Inclusion vol. 10, no. 2, (2022), pp. 221-228.
2021
E. Modena, A. Pinotti, S. Pirandello, “Virtual Reality and Augmented Reality New Tools for Art and Politics”, Paradigmi. Rivista di critica filosofica, no. 1 (2021), pp. 87/106.